Showing posts with label watercolor. Show all posts
Showing posts with label watercolor. Show all posts

Saturday, June 14, 2025

Creative Mindfulness with Casey: Peru Inspirations.

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We have had two Creative Mindfulness Mather classes this month with Casey with prompts from Peruvian Art.

Mather Classes
Mather classes


Casey took a trip to Peru in May...and came back so excited about all the arts, fabrics, scenery of the country which she will be sharing for the month of June. 


Mather classes

Our first class on Peru was Rainbow Mountain or Mt. Cuzco, Peru. Yes, this is a real place. There are a ton of photos on this location, and it seems the colors are different certain times of the year. The shot on the right is an actual photo...and you can see the tiny people at the base of the red part, walking. Left is Casey's take on the scene.

Yes, the hues can be very bright, depending on the angle of the sun and time of year. 
Here is a clip of a Pinterest photo...

Pinterest

I love the jacket that has all the colors and variations in it similar to the hills. The colors occur because of all the minerals in the different layers that were upheaveled when Teutonic plates converged and created the Andes mountains.

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Anyway, our prompt was to draw our own mountain, and hills, background and sky and fill in each layer with whatever color we wanted.

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Creative Mindfulness is all about getting lost in your work, and filling in all the stripes of my mountain with pencils was very soothing. I might try a water color in the future,  I  increased the width of the lines in the foreground, to give an idea of detail and closer proximity, and used more faded colors in the background hills. I scribbled the sky and clouds without any details.

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I used black Sharpies, pencil, eraser, and colored pencils, and later watercolor washes.

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I do love becoming lost in a project...it's the journey not the destination.

The next week, we had something entirely different.
HANDWOVEN FABRICS. 

Here I used a few pencils, markers, and some water color washes, and I chose to tape off some straight lines...because I simply can't make a long straight line....LOL.

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The patterns are from weavings in clothing and rugs. Peru is known for it's Alpacas and Lamas and some sheep, and the gorgeous uses of natural dyes and colors.


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We were encouraged to make lines, similar to the ones on the left example.

mather classes

A black and white breakdown of all the images in the block patterns was provided on a worksheet. 
Mather handout

Enlargement of some of the motifs used in the fabric example. These showed the simplicity of the images. I chose to use some for my blocks, as well as horizontal dividing bars to break up the designs. Again this was a starting point for our own take on the patterns.

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I used a light sticky tape for my 3/8" lines...way easier to do than drawing long straight lines and protecting the surface from my screwups while adding my designs.
 I didn't remove the tape until all the drawings and coloring with pencils was done. Once removed, I washed all the areas with earth-toned subdued watercolor washes.

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The muted washes filled in all the blank spaces and didn't overtake any of the pencil sketching. I did add the shading on the stripes afterward with pencils as they were too blank for the rest of the design. I criss-crossed my brushstrokes to give the idea of warp and weft. Here you can see where I removed my outside tape and then just had to add one more swoop of the brush.

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The larger images on the right and left edges were what I imagined would be on a rug. 

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I took some of the motifs from the right and enlarged them for the outside left, and similar for the right side. Again, experimenting with my take on the subject. 

Mather Classes

I really love these Mather Classes for the different artists/artforms we explore each week. I really enjoyed both of these artforms and the information on Peruvian art.

Again, Mather Senior Classes are free on Zoom for 
Seniors over 55....and are available, HERE. 
I appreciate the interaction and being able to ask questions, share on a community facebook page...and most important LEARN new techniques and materials, in a safe and congenial space. The instructors I've had,  are all Art Therapists and excellent.

Have you ever done 
Artwork from a vacation trip? 


All the opinions and photographs in this blog are my own unless identified, I have not been paid or reimbursed in anyway for my opinions, posts or any products shown.  














 

Thursday, June 12, 2025

Sketchbook Revival Binge Fest with Karen Stamper: WILD GARDEN

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Karen Stamper was the instructor for this 'Wild Garden' multimedia foldout in my sketchbook. 

Karen is an artist who works in multimedia..is a firm believer in working in sketchbooks everyday in a million different ways. 

This particular exercise of the Wild Garden was to use different media: Charcoal, pencils, pens, ink, erasers, watercolor, crayons, resists, mono printing with leaves, scratching...you name it. All in like 30 minutes.

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She uses multi-page accordion sketchbooks. We were encouraged to add paper by taping to make an extra foldout in the sketchbook. I only did three pages, because I was slow. I had gathered materials together, but not everything that she was using.


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Karen is British and talks very quickly...so my scribbles of instructions are a bit garbled. And I write in a sort of crippled shorthand-my own version.

Left column: Wild Gardenm, Multi-media, Charcoal pencils, (drawing Pencils) SMEAR, Soft Prismacolor(white and black), black acrylic or watercolor paint, White eraser, ink pens, sponges, tape, scrub brushes, washi tape, black, fine point markers.
(forgot to write down, pastels, conte crayon, or oil pastel) because I didn't have those available.

Right Column: other recommends, inks, ink sprayer, water sprayer, water. 


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We started working across the page with broad scribble strokes with crayon or charcoal pencil. I used the charcoal pencil layed on it's side. These were to be 'trees/grass/ or branches. Next she wanted ust to scribble some leaves, then add white crayon or wax to make some blank spots, smudge some of the charcoal. We then added printed leaves with paint...I stuck my fingers in the paint and put some blobs, thinking they might look like mushrooms

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Here's my other note. In the middle of the whole thing I tipped over my water (small amount) and not wanting to miss any of the lesson, I used coffee with creamer from my cup to make some washes on the left side pieces.

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Resist was formed with the crayon, and I had a resist pen that made the tiny speckles...circles, loops, lines ---she encouraged all these movements...

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Here you can see the writing is bleeding through on the back side. I mistakenly grabbed mny alcohol spry instead of water and it activated the pen on the other side. I was really scurrying to keep up--so another lesson be aware of what you use on your surfaces.

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Is it art...no....I think it is exactly what it's meant to be...play and experimentation. I found some things I did in the heat of play I will use again. 

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Here you can clearly see the mono-print leaves (peppermint) and the mini fine print pen details of small plants on the garden floor.

Maybe even the coffee ....LOL

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I will definitely explore doing multiple page/accordian style sketchbooks. I have another prompt of hers that I'm going to try ...a city scape multimedia, and I'm collecting collage materials for that, which will be much more controlled and realistic. 

HAVE YOU Had FUN trying
 ANYTHING NEW
LATELY? 

Coffee watercolors Anyone?

Thanks always for visiting, 


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All the opinions and photographs in this blog are my own unless identified, I have not been paid or reimbursed in anyway for my opinions, posts or any products shown.  


Thursday, May 29, 2025

Sketchbook Revival BingeFest: Mixed Media Flora Studies with Joy Ting Chardre

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Mixed Media Flora Studies with Joy Ting Chardre  

Sketchbook Revival BingeFest 2025...this is an online signup free for access to some older tutorials by different artists. A month worth of projects and over 5 years. So that is 131 tutorials to choose from to do in a limited amount of time.


I loved working with Joy, and I really worked on this for maybe 1hour and 45 minutes. The tutorial was roughly a bit under an hour. Joy is lovely and so expressive in speaking about her art and taking some of the fear away. Using sketchbooks as a stepping stone and a license to experiment on techniques and materials.

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This was the perfect though complex first project for me in this series. I'm too cheap to enroll in the 2025 month...but they offered free access to 5 years worth of old tutorials. So I'm picking and choosing which instructors and projects I'm going to work on, emphasizing mixed media as well as watercolor...and maybe just something different. 

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The project focus was to work from a clipping/photo or old artwork, and do a couple of quick studies for colors. 

I chose a 1/2 page scrap clipping from a Fructose Magazine. I don't have the name of the original artist. I love the dark and bright of the colors in this photo of artwork.

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Drawing some small rectangles on my sketchbook, leaving an area open to the side for color ID and color mixing. I experimented with the colors I had on my palette.

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These three palettes were all loaded with the same 3 colors...a crimson, a yellow and a cerulean blue from a watercolor play session with my grandgirl and d-in-love.
 These watercolor tubes were from an inexpensive set from Michael's in an art kit that included an easel, watercolors set, acrylic set, brushes, palette, drawing pencils, paper, and a portfolio. It was one of those Christmas specials...that went on super sale right after the holidays. Basically the cost of the Large portfolio alone.

In one of the three palettes I had originally added some burnt umber. Everything else was mixed from these basic colors. It's surprising how many colors you can get doing it this way.

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After about 20 minutes of mixing and playing with some of the flowers, 
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we were encouraged to do a full size page of some detail from our source photo.

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I lightly sketched with water color pencils. After the sketch was laid out, I used alcohol markers in Dark Gray and Dark Blue to do the background before I painted.  One of the things I couldn't do with the limited palette.

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On this version I also added the small pans of color. I used the upper left blue, a dark teal green and some of the dark browns. This was a inexpensive kit from Walmart, I think.

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The multimedia came in with the colored pencils worked here and there, a charcohl pencil, and I tried several different white pencils, along with some greens and yellows for highlighting. 

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Pencils are charcohl, Prismacolor soft, and watercolor pencils by Artist Loft, Michael's store student brand.

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I was intrigued with the Eucalyptus that was lavender in the scrap photo, but it morphed into greens to balance out the cabbage leaves. The grays in the thistle were balanced out in the dark foreground. Making a large scale subject matter in a small space is always tricky. Composition has to include positive and negative space. I chose the elements I was interested in working on and tried to place them in a cohesive compostion.


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Total working time about 1 hour and 40 minutes for the quick color sketches, the tutorial, and working through the tutorial on the larger page. I did a bit of pencils at the end...the soft Prismacolors work well on top of alcohol ink as well as watercolors. 

I'm going to make sure I look for any other tutorials Joy did over the last 5-7 years.

Please ask any questions...as it's really hard to do photos when you are working from a tutorial. 

But Remember, first of all, 

Most of all------HAVE FUN!!!

All the opinions and photographs in this blog are my own, I have not been paid or reimbursed in anyway for my opinions, posts or any products shown.  
































Wednesday, March 12, 2025

Mather Abstract Watercolor Class: Painting With Music

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Last week's class was very inspiring in my FREE Mather Abstract watercolor class for Seniors.

Mather Classes for Seniors can be explored HERE.

Ruth showed us several paintings by different artists. Many artists worked to music, Kandinsky, Chagall, etc.

Ruth played samples of instrumental music, this and that for us to paint to. Here are my results. These are quick pieces done to music under 5 or so minutes.

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My palette is a mess....I'm trying to use what is there so I can give it a good clean up and a fresh start.  

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I'm finally doing all my paintings and exercises on REAL Water Color Paper. Strathmore 140# in various types of paper from a sampler pack.  I may buy a few more when the Buy 1 get 1 sale is on at my local craft store. Good paper just takes the paint, the water, and the 'working over' better than the multi-media paper I use from my notebooks.

I'm also more confident from all the techniques I have learned. So, I just simply let myself go with the music prompts

The music was extremely varied....

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Magic Walk, I couldn't find a copy of the music...but it was rhythmic and a bit bee-bop...if that helps. Very bright and fun. Definitely some ethnic vibes, Caribbean, Soul, and Street sounds. I started with the dark yellow and worked outward.

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Clair de Lune.  I waited a bit before I started painting...when the orchestra really starts to swell and almost closing my eyes I started painting.
Below is link to YouTube Frankfurt Symphony Orchestra..
This is a very slow version. Lovely and elegant.

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This piece was swoops of thick water tinted lines left to right to this music in the beginning...then each color was a theme section and carefully applied with the notes. Intentional yes, but strokes with the music's movement. Later in the piece when it repeated some element---I worked over the colors. 
 I think this is the piece..

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Turned on its side. Most Music is repetitive or with variations upon a 'theme' or series of notes. The key may go higher or lower, the Color of Sounds or (colors changed when I painted during these), with the tempo of the notes also giving you inspiration (quick strokes closer together when they are speedy, wider when slower ). 

I really loved doing these.
I received a stack of classical CD's for Christmas and I think I may go through them and paint an abstract painting every week and see what I end up with. Besides this is totally relaxing and being lost in the process...

Phew!
Thanks to my Mather Senior classes Painting is such a respite in this world of chaos! 

Free Mather Classes for Seniors can be explored HERE.

How are Your Projects 
or Artwork Coming Along? 

Vintage Charm


All the opinions and photographs in this blog are my own, I have not been paid or reimbursed in anyway for my opinions, posts or any products shown. Please do not use photos without linking back to this blog without my permission. Thank you for your cooperation, Sandi Magle