Showing posts with label Collage. Show all posts
Showing posts with label Collage. Show all posts

Wednesday, July 22, 2026

I can see clearly now the SMOKE is gone...

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I can see clearly now

 the SMOKE is gone...

I can see all obstacles in my way

Gone are the smoke/heat fogs that had me blind

It's a bright, bright, Sun-shiny Day!

(snitched from Johnny Nash's...Sun Shiny Day)


I really have to get back to blogging. I've been hunkering down in our sealed tomb of a home from the Chicagoland heat/smoke/hideous news has really had a hold of me, my mind, my attitude, I've been just UGH!

But, Today, the air cleared it's a brisk 65 degrees at 9:30 am, and I ran around half naked, and opened ALL the windows, doors, blinds, curtains...and OH MY! 

First thing that came to my mind was that song...

So you can thank me for the ear worm and have a Wonderful Sun Shiny Day! 

So far this week, I did quite a bit of gardening. Last night I made Overnite Refrigerator DILLS...the best homemade pickles. I even had fresh dill from the garden I hve stuck in semi-shade to keep it cooler. (Dill doesn't like hot temps when starting)

The Weeds have been horrid with the heat and rain Chicagoland got earlier just made them crazy. Again this year we have a flock of new weeds, I've never seen before. Our gardening zone is 5b at the moment (-5 to -10), but I'm thinking that is really not representational of what it really has been the last few years. I'm sure that weather cycles are just that, cycles, and suddenly we will have -30 winters right around the corner again.

I picked LOTS of cucumbers, dill, pearl onions, lettuce, tomatoes (small ones), a huge turnip-only one), long sweet yellow peppers and green beans. We have enough for this week's fresh produce needs. 

I always pick a few flowers...I'm having Poor Woman's bouquets all the time now. 

Colors are phenomenal...these are early morning photos without editing except for size and being crooked. The flower colors are real...and vivid. The PHLOX are phenomenal as well as the Dahlias and Day Lilies.

I'm not an Affirmation Person...except maybe snarky ones. But a prompt for my Mather class was for an affirmation. 

Here's my 20 minute scribble.

"Even Ditch Lilies Bloom...no matter What!"

I really think LIFE gives you no excuses...you just have to live it, like the panned, dreaded Ditch Lilies that we snub our noses at. 


When we moved here in 1984, there was very little landscaping on a bit over a quarter of an acre. We ordered fifty cheap assorted twig bushes from Michigan Bulb and 12 Day Lilies. That was what we could afford. I planted one packet of Sweet Peas for 59 cents and some marigold seeds. That was it for that year.

Our Sweet Peas are still going strong, the bushes are ringing the property and provide homes for all the birds and bunnies.  I still plant Marigolds from seed because they are kill and weather proof and the bees love them. 

June and May were so cold, we didn't use the porch. I finally got it ready for July 4th, and then it was so beastly, no one would go out there.

This morning I reveled in the lovely temp, opened the windows on the porch and his sink's finally hooked up to drain and get water again...long story on that one.

Ready for company and ME to play on the table with paints, and enjoy the birds from one of our rocking chairs. The furniture is mostly my great-grandmother's, and my dad made the table I painted for my art/craft shows.


I'm hoping the weather holds, I have a 5-6 hours in the car today, but am looking forward to enjoying the porch and having the car windows open! 
See you Soon!

Thanks always for visiting, 


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All the opinions and photographs in this blog are my own unless identified, I have not been paid or reimbursed in anyway for my opinions, posts or any products shown.  




OldNewGreenRedo





Mather Classes helped me Beat the HEAT!

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Last WEEK, 
One thing about aging is you don't adapt very well to extreme cold or heat. And, yes, the upper Midwest is frying like the rest of the country. 

Gardening consists of turning on hoses and sprinklers and then running back into the house. 

To keep cool and busy, I've been doing a bunch of art classes. Here are some of the projects, not made for results but mostly as learning experiences. 


In my Mather Senior Art Journaling Class (I don't journal, I just take the class for new materials and techniques), this week we explored Pointillism through the works of Seurat, Van Gogh, and Monet. All of whom used dots, blobs, streaks of colors on top of colors to create shading in their works.


This was 20 minutes of making dots, ala Seurat, to make the leaf form and shadow. I used alcohol markers on simple sketchbook paper.


Alcohol markers are excellent for this technique of using dots/dashes next to each other and you get the benefit of transparency to build up a wide color range.


It looks like I used a million colors, but it is the juxtaposition of colors next to each other that makes your think...ooh what a lovely shade of green, when it is blue and yellow and even peach that makes the shading.



My trushty markers for these next projects also.


In Creative Mindfulness we worked in what you would define as slow drawing from reference photos. Again, experiencing rather than trying to achieve a finished product. Pencil underneath and colors added with markers. For me slowing down is really hard.


This one was easier, building up layers next to each other and on top of each other...lily pads...with my trusty dark blue green as a background. I did the background first and then built up the shapes....slow sketches on sketchbook paper. 
Repetitive motions are actually relaxing...and your mind eases into the process.


These are small drawings on one page in a sketchbook.


Here is something different in Paper Cutting class. Using card stock and thick foam double stick tape, I worked at a large (on 12x12 cardstock) petals of an asymmetrical flower pattern I made. I worked large, it's hard cutting small with my old hands.
 I created a pattern for the biggest petals, and then cut each smaller layer by cutting off 1/4-1/2" off the edge of the pattern. (You never know how things will work out when you make your own patterns.) Eventually it became very skimpy, I rounded the pattern off for the centers.


The separation of the petals were created by using foam stickum tape (dollar store)
and twisting the pattern pieces one quarter turn each.


This used up quite a bit of paper. The technique was from artist Jen Stark who works in multi-dimensional constructions of layers...google her work, so cool. 


Definitely a fun and a bit messy project.

Another Paper Cutting project of building up layers inspired by Jen Stark, was made by cutting from a pattern you created, then making smaller and smaller pieces...mounting them with spacers(I used cardboard bits on this one)


I also doodled ghere and there...this really needed mountin on something interesting, and I used the turquoise and yellow polka dots,  as that was what popped out among the warm colors.


The central circle bit was just glued flat, but the edge pieces were layered.

  
Very interesting effects by deconstructing  and reconstructing a simple circle.


I'm always making collage fodder, cleaning my palette, using up wet paint. The strong and dark  moody paper was perfect for the next piece...



Working on a theme of Women...and skin tones, I constructed a 'model' from different magazine images, male and female, different skin tones...plus using a multi- portraits historical page for the skirt.
This was fun, the circles were another addition as the prompt included mixint two different styles from two artists. 


The fishnet flesh was actually a male model photo in that fabric as a shirt.
I used watercolor gel pens, acrylic pens, posca-like pens, magazine pages, and lots of ink drawing and paint staining here and there...
Spent a fair amount of time on this 3+ hours assembling, not counting making the original papers. The 'dotted' white lace was used to intentionally bring out skin tones and faces.

I finally got in the garden Monday and Tuesday, we had a break in the weather, YAY~ Cucumbers had gone bonkers,

Now I have to make Overnite Dill Pickles
The best ever and so easy! 


All the opinions and photographs in

 this blog are my own unless

 identified, I have not been paid or

 reimbursed in anyway for my

 opinions, posts or any products

 shown.  



Monday, June 1, 2026

Mather Class: Working with Sourced Papers and Enhancing.

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I'm a history freak, so long ago, I saw this sheet of old Globe prints wrapping paper, I used one piece for a gift and then saved this piece deep in a pile of papers and magazines.

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The prompt for class was to use a paper source, magazine photos, or artwork to create and ENHANCE into a composition. I thought this would be fun.

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I didn't take photos as I was working...you know when you are in the groove, you forget about everything. I worked on black cardstock, and layered bits and pieces here and there.  

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After getting a rough composition, I began filling in areas and extending lines of the globes' edges. Ferns and palms added the perfect tones to accent the land areas. 
I used some alcohol based metallic markers that are excellent on dark papers. 

The print's shorelines are pretty accurate, but the inlands are empty and even blank. I left quite a bit of space around the nine or so pieces I glued onto the black paper. Then I began to think about dangers sailors/explorers had to face on their journey.
I wanted to tell a story.

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Something about the entire pieces of globe and how small the 'Americas' were and also how incomplete. In the 1600's America was roughly known...mapping was still a limited art, and took many hours and miles across the sea to implement a map through triangulation.

Besides the idea of a round globe on flat paper...you had the 'Unknowne Land' or lands full of shores that had not been searched, and mountains never climbed. 

On the dark areas, I applied one/two layers of light blue tissue with modge-podge over, then with a wet second coat on top, I started to tear the tissue and move the gooey bits around, scratching and marking with handles  of brushes and a pin. What I created was a black hole, or the 'Unkowne' of a never ending seascape. The dark was enhanced with various markers and a white paint pen that I smeared to give the foam upon the sea...the blues and browns were sprayed and rubbed on alcohol inks. 

Working on surfaces  of dried Modge-podge is wonderful with inks. If you do too much you can easily remove most of it with an alcohol soaked tissue or q-tip. 

I don't really know how many layers I used of everything...just kept applying, removing, covering up, and adding again.

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What would a sea story be without a denizen of the deep...?

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Here you can see the layers and the shimmer of the markers....really a fun project ...and I hoped you enjoyed my  'Journey'. 

Materials for Collage
Black heavy card stock 8 1/2" x 11" 
Cuts from thin wrapping paper
Glue stick and Modge-podge
Permanent Black marking pen
pale blue tissue paper
Umber Alcohol ink
Turquoise Alcohol ink
Royal blue Alcohol ink
Red Sharpie marker (this was the only red that would be bright on top of all the materials).
Metallic permanent markers. 
White paint marker fine and brush ends.

OldNewGreenRedo, is an ad-free blog.  
I do not endorse or receive any $$ for any products I may use. I enjoy showing how I use products
but I do not receive any $$ from anywhere I shop.
  
Sandi 







 



 

Friday, May 22, 2026

COLLAGE: MORE ARTY BITS and PIECES!


 Calling this bits and pieces, because that is what collage art is ...putting bits and pieces and bits of this and that, color, line, shape, kind of like gardening!

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In between gardening and trying to scrape our house together, I did a bit of Art. I participated in Sketchbook Revival which ended up to be some 30 classes I participated in. Yea, that was intense and time consuming. 


I worked in a 9"x12" sketchbook with 120# paper for Multi-media. It held up very well for most things. I did have issues with tape removal..but that is me being impatient. I used gel-mediums for glue, some modge-podge and sometimes just a glue stick

I gave the projects some breathing time, but, added some bits here and there. I had wax paper between the pages which was cumbersome. I finally sealed every page with workable fixative. So, now at least everything is stable. I can put any media on top of these pieces without messing with what's already there. (Krylon workable fixative $$$), but worth it.

Some of these aren't finished, but are works-in-progress! And some will be ideas and compositions, I may adapt to paintings. 

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I loved this first project...the papers are mostly my own colored and painted papers. The images were a new print of Copenhagen (Kobenhavn)harbor, in Denmark,  one of the canals with reflections. I found an 1890's photo of the same area and even some of the same buildings as the first, also with the water reflections. The old one was of course grays with sepia tones which I edited and then later painted. I fiddled with the size of the prints to bring them into scale with each other, cut the bits out, and then laid them out on the large piece of paper. 

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I began painting blocks of water color and then adding my hand painted papers mostly with torn edges (I love tearing paper, it's so ...relaxing). Broadening the canal/harbor and relating the colors. I painted some of the grayed buildings, (most would have been creamy stone or white anyway at the time. Roofs were traditionally red tile back in the day, so I played iwith  that on the old side (right).

The old bridge, was just too cool, and I carefully cut what I wanted to use. See the floating logs on the right...something you don't see now and all the small skiff boats. 


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The newer side has a modern market going on above the seawall. I eliminated the boats, because they were just too sleek, shiny and modern for the mood of this piece. There is still a mast sticking up, but without a boat it becomes a 'pole'.

Totally loved working on this, and I want to do a painting with this juxtaposition of the old and new.

Now...something totally without a subject.

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This is and unfinished and multimedia...just an assortment of shapes and some items with duplicate lines or repeated shapes in them. Again, magazine pics and hand painted/scribbled papers. I've only worked with a few extra lines on this, but will do more. I'm thinking perhaps some mono-printing or textures maybe on top of this.

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Here's another Multi-media one...I like the colors, the textures...we will see what happens later, or maybe it is done.

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The only prompt for this one was to build around a face. I used an old (1900 or so I think from Graphics Fairy) sepia-toned print of a woman and then added woodland themed flowers/trees, bird, etcl. lots of images from magazines or old prints, stationary cut outs, ...a fabric print. Everything is toned with watercolor, markers, and alcohol sprays. and medium. 
I loved doing this and taking it as far as I dare...it's done! 

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Here you can see the edges of the layers...it ended up very thick. Definitely a fun experience.

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Here's another wilder experience. This is another one that is very thick. The only images that weren't painted papers were some bits of a napkin with some bird/flower/fauna images.  These were expanded on...printed, painted, drawn, repeat. I think I used every media on this except pastels. 
I love the colors.

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Details...are really suggested, here you can see the birds and textures from the papers and applications. I think I painted more with my fingers than with brushes on top of this.
This one is done.


Next

This one screams for more. Prompt was a quick landscape suggestion. I did some marker, but not sure what I want to do with this. 
tissue, markers, mulberry paper, hand-painted papers, water color, markers, acrylic pen and gel mediums.

I liked using the tissue papers which become translucent with the medium as glue, and I actually ordered some thin textured papers for painting on. They just came, and next week I will play on them.


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Prompt here was to take a building image and cut it up and reassemble to something else. My photo was from the 1880's and of some sort of castle/monastery type building with lots of stairs. The instructor liked to use  'gold' so there are metallic pens and later some paint scraped onto all the textures...which does do something for the subject.
Acrylics, paint pens, alcohol pens, alcohol sprays, grease pencil, charcoal pencils.

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On an angle, you can see the textures and how the gold enhances the existing parts of the photo...

Titled this "Stairs to..."  Knowledge, heaven, a hot bath, who knows...but it is an experience and is finished.

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The only part of this that is collage were the 3 vessel cut outs of paper that were part of the instructors 'method'. Cut, and Place, then glue them down. Then complete a scene. 

The cup in front is a magazine bit, the middle one is a vessel from a not finished water color scrap...and the left one was a shape from a magazine page ( a shirt I think) then enhanced with paint and markers.
The repetitive lines were meditative...and I did this over some time, as I worked slowly on this one. 
I like the idea of doing vessels...or even just shapes and just go with it. 
It's done, I call it a good experience with ehhh results. Wished I had a lighter purple pen, the background became too dark. 

Any comments or YUKs are appreciated. Just some ideas for doing projects and some experiences with different media. SO MUCH FUN! 
Sandi

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All the opinions and photographs in this blog are my own, unless otherwise designated. Please do not use my photos without permission. I have not been paid or reimbursed in anyway for my opinions, posts, or any products shown or anywhere I shop.

Thank you for your cooperation,
Sandi