Showing posts with label PrimaryPalette. Show all posts
Showing posts with label PrimaryPalette. Show all posts

Saturday, July 6, 2019

#WorldWaterColorMonth Day 2

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Hi, the holiday in the middle of the week, sure throws the best laid plans to the side. Even without being able to to do the decorating, cooking, or congeniality thing to the max, having everyone here still ate into my Art therapy painting time. Today, I tried to catch up.

Day 2 Sunny Skies (each day there is a prompt if you choose to follow along).

I'm not a beginning artist, but I'm really a watercolor novice. So, I made a few rules for myself: not take it too seriously, use some restrictions for each project, follow the theme, use what I have on hand, and have fun.

I found a few more paints and tons of brushes in an expedition to the basement. I also wanted to try and use some masking medium. Applied, this is a rubbery yellowish medium that repels the paint and later can be peeled off, leaving the white un-painted paper exposed. I really have never used this for watercolor, before, so this will be an education.

oldnewgreenredo
                        

Palette: I planned a controlled color palette: Grumbacher Academy(GA) Lamp Black, GA Burnt Sienna, GA VanDyke Brown,GA Thalo Yellow Green,GA Cadmium Yellow Deep, WinsorNewtonArtists(WNA)Lemon Yellow Hue,GA Thalo Purple,
WNA Cobalt Blue, (Note I avoid using blacks but I put it in the tray anyway.)

Paper is just a drawing Sketchbook 11 x 14. It's smooth paper that stretches a lot, but I'm practicing, not going for finished paintings.


oldnewgreenredo

I had a couple of days to ponder the prompts, so in our garden my favorite sunflowers are most gorgeous photographed early in the morning in what I call bright yellow sun. Light spills over the fence and the edges of the leaves and petals are always brilliant, and the shadows are dark and deep since the sun isn't so high.

I've kicked up the contrast and the hue  so you can see the applied pale yellow masking.  My thought was to hit the edges of the petals and where light might land on the flower centers. I lightly wooly-sponged some on what will be the dark brown seedy centers of the sunflowers and let this dry for 15-20 minutes.

oldnewgreenredo

Then I sprayed areas and did a wash with a wide brush on the petal shapes adding quick brush strokes of (Cadmium YD and Lemon) on the wet paper. The centers I dabbed with Burnt Sienna. I rolled the paper around a bit to get the colors moving. We have a fan going right above and the paint dries pretty quick if I blot up any pools.

oldnewgreenredo

Closeup of the beginning. Always fun to watch colors flow/spread and you can see the areas where the masking is blocking the paint. I had very loosely penciled some vague outlines of my composition.



oldnewgreenredo

I planned one sunflower facing the viewer and one facing the sun. I'm working from memory and not a photo. Leaves are multi-colored with all of the colors of my palette in them, except black. I did add the purple to the browns for the darkest accents. I mixed an olive green from the browns and the Thalo Yellow Green (really like the intensity of this color). I try to use all my colors around the paper in different ways. 


After drying, I peeled off the masking. And, touched up the areas that were too white. 



oldnewgreenredo

I used some light wash colors here and there to blend out some of the whites. When the painting dries, the colors always seem a bit washed out---I'm going to have to kick my colors up a notch, wet paints look darker and more intense or I'm using too much water?

Disclaimer: Any products I am using are not a recommendation, but only for reference for the reader's use. I am in no way affiliated with any of the companies or products, or have I received compensation or products. 

My painting projects will be posted on Pinterest, Flickr and Facebook with the hashtag

#WorldWatercolorMonth 














Monday, July 1, 2019

World Watercolor Month Day 1:Primary Palette

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In my last post I wrote about #WatercolorMonth and my reasons for joining in. 

My rules are simple---ONE piece of paper ---NO-DO OVERS--intend to follow the prompt, but be open to SERENDIPITY, and HAVE FUN!

Day 1 prompt is Primary Palette, meaning red, yellow and blue. From my OLD stash I chose Grumbacher Academy Thalo Red, WinsorNewton's Artists Lemon Yellow, and WinsorNewton's Artists Cobalt Blue. These are the closest to pure color wheel colors I have. 


oldnewgreenredo

I put a dab of each color in my palette cups. The yellow gushed out some sort of liquid that was thick and gooey. The tube had settled and all the pigment was in the bottom half. The other two tubes were fine and had never been opened. I had to use a pliers. 

PERSONAL GOAL: on this prompt is to let the paints mix on the paper--and keep a pure palette.

oldnewgreenredo

My brushes are in feeble condition at best---OLD craft brushes I have used with the Grand for craft paint. The red handled ones are from a mixed set purchased for kid crafting. The flower handled brushes are OLD quality craft painting synthetic brushes. A foam brush is great for putting water on the paper.

oldnewgreenredo

After taping my paper down on my board, I did some sweeping brush strokes with the foam brush full of water, followed by dabs and sweeps of the pure colors. Immediately the color starts to spread and puddle as the paper swells. 

Sky, sunlight and maybe some flowers?



oldnewgreenredo

An overhead fan helped to keep my paint drying quick. Hoping to get some sort of 'green-ish' tones to occur, I layered strokes and dabbed on top of each other with blues and yellows. One brush produced the little 'ferret feet' when I dry brush and daubed paint on.  

I then spritzed areas with the water mister.
This is when SERENDIPITY kicks in.

oldnewgreenredo

Since I'm using sketchbook paper, it stretched very quickly into hills and valleys. I tipped the board trying to control...HAHAHAHA... the flowing of the colors. 
Fun part about watercolor is NOT controlling it! 
Go with the flow.


oldnewgreenredo

If you are compelled to control--wicking off excess water or color is easily done with q-tips or paper toweling for larger areas. Even another dry brush will remove paint from specific areas.

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I Love how the colors do their own thing----! 

oldnewgreenredo

I walked away for a bit and this is what the blue bits did on their own, I then added red bits with the stubbly brush, aiming for flower centers.

oldnewgreenredo

These are flower impressions...again water spritzing blends this out more.

oldnewgreenredo

More daubing and shading with stronger colors on lower levels of the imaginary leaves and flowers. This is more coaxing than painting.  Finally I added some controlled brush strokes with the smallest brush, suddenly a container appeared and I went with that instead of a garden. 

oldnewgreenredo

Working in suggestions of leaves, vines, petals, flower centers. 
I stepped back---before it started to muddy up. 
Even with a limited palette be careful not to overwork your colors when a painting is wet.

oldnewgreenredo

GOAL: Here's my palette at the end, I succeeded in not mixing colors in the palette--the yellow/red to the right was basically an accident of sticking a brush in the wrong place. These paints will be useable again with water added. 



oldnewgreenredo

"Primary Colors"  Sandra Magle  #WatercolorMonth Day 1

There are bits here I really love, and some parts are ugh, but the important thing is I spent an hour and a half, not thinking about the heat, my knee, or politics. 
Sigh.......!
What are you doing for your soul, today! 

Disclaimer: Any products I am using are not a recommendation, but only for reference for the reader's use. I am in no way affiliated with any of the companies or products, or have I received compensation or products. 

I'll post my painting projects in a post, on Pinterest, Flickr and Facebook with the hashtag
 #WorldWatercolorMonth